Fantasy V Reality †Streetcar Named Desire Essay

Fantasy v ingenuousnessRemember AO1 communicate clearly the knowledge, assureing and insight appropriate to literary study, victimization appropriate terminology and accurate and coherent written expression.DuBois or issue* old south lookout* senescent Southern belle who lives in a state of perpetual panic more than or less her fading beauty * origin she was half sane, then contri simplying spate drive her to insanity. * Loss of humanity, represents magic* The state of your life is nothing more than a reflection of your mind solidifying. * It wouldnt be make believe if you believed in me conniption 7 * invention of a changing South containing characters fight with the loss of aristocracy to the virgin American immigrant, the f bothout of chivalry to a new mind-set of hinge on and confide, and a woman grasping urgently at the last bit of day-dream she can muster. DuBois World* old south mindset* Aging Southern belle who lives in a state of perpetual panic about her f ading beauty * Beginning she was half sane, then contributing sight drive her to insanity. * Loss of reality, represents fantasy* The state of your life is nothing more than a reflection of your mindset. * It wouldnt be make believe if you believed in me Scene 7 * Story of a changing South containing characters struggling with the loss of aristocracy to the new American immigrant, the fallout of chivalry to a new mind-set of waken and desire, and a woman grasping desperately at the last bit of fantasy she can muster.The structure of A Streetcar Named Desire is best seen through a series of confrontations surrounded by Blanche DuBois and Stanley Kowalski. In the first scene the confrontation is not so severe, but it increases in severity until one of the two must be destroyed. To understand fully the scenes of confrontations, the reader should have a obedient understanding of what is at stake in each encounter. That is, he should understand some of the differences amongst the D uBois world and the Kowalski world. Kowalski World* new south mindset * Beastly, Stanley possesses an animalistic fleshly vigor that is evident in his have sex of work, of fighting, and of sex * Represents reality * He acts the wants of an animal, has an animals habits take in analogous one, moves corresponding one, duologue like one Theres until now something sub-human something not quite to the stage of humanity yet Yes, something ape-like about him, like one of those pictures Ive seen in anthropological studies.With his Polish ancestry, he represents the new, entangled America Scene 4 (Blanche) * Destroys Blanches fantasyKowalski World* new south mindset * Beastly, Stanley possesses an animalistic somatogenetic vigor that is evident in his love of work, of fighting, and of sex * Represents reality * He acts like an animal, has an animals habits Eats like one, moves like one, talks like one Theres even so something sub-human something not quite to the stage of hum anity yet Yes, something ape-like about him, like one of those pictures Ive seen in anthropological studies.With his Polish ancestry, he represents the new, heterogeneous America Scene 4 (Blanche) * Destroys Blanches fantasyExploration of landmark between exterior and interior sets. Two room Kowalski apart workforcet reflects border streets. Scene 10 grotesque menacing shapes, jungle noises and distorted practice of medicine argon employed to reflect Blanches terror. Scenes 10 and 11 The subprogram of distorted shapes and jungle cries as symbols of human cruelty. Scene 9 We try out the vendors cry of the Mexican Woman, Flores, flores para los muertos (flowers, flowers for the dead).It follows the moment when Mitch denounces Blanche as a liar and thereupon refuses to marry her. Blanche and Stella have huge dependence on male companions as it is their only way to achieve happiness (their donjon and self image are reflected through men) Scene 4 Blanche recognises that Stella c ould be happier without the abusive husband for support, but this is hypocritical as she calls Shep Huntleigh for financial support. Stella chooses Stanley for love Williams does not criticize but makes it clear that there is a approaching with him.A Streetcar Named Desire Plot AnalysisMost good stories start with a fundamental list of ingredients the initial situation, conflict, complication, climax, suspense, denouement, and conclusion. Great writers sometimes shake up the recipe and add some spice. Initial roleMeatYes, thats right the early interactions between Stella and her husband pass water the initial situation of A Streetcar Named Desire. Its important for us as the reader/audience to see the status quo of the Kowalskis kind before Blanche shows up and alters it for the duration of the lay out.ConflictBlanche arrives something is upThe immediate physical incongruity of Blanche and her surroundings lets us know that she isnt going to convulsion in come up here in Ne w Orleans. Her first dialogue with Stella hints at secrets shes trying to hide. And her first encounter with Stanley is wrought with tension, versed and otherwise. All the news of the loss of Belle Reve doesnt help, either.ComplicationBlanches birth with Stanley grows more and more unfitting, especially as Stanley learns more about Blanches past in Laurel. Blanche and Stanleys relationship grows more and more difficult, with Blanche eternally insulting him, and Stanley becoming more angry and aggressive.Stanley as well as learns about Blanches secret past, which he informs Stella and Mitch of. These multiple, small complications are what modern writer and essayist John Barth calls incremental perturbations the water gets muddier bit by bit as the play progresses, and either new complication adds a layer of tawdriness and emotional weight to the level.ClimaxScene Ten the irreverenceDid you mailing that Stanley says to Blanche, Weve had this date with each other from the beginning? We know that 1) Stanley doesnt like Blanche, 2) he takes out his anger physically, and 3) hes practically specify by his sexual aggression. This scene seems the inevitable result of their increasingly antagonistic relationship.SuspenseAlready happenedIn this play, the suspense stage can be found in Scene Ten with the Climax. The suspense builds as we await Blanche interact with Stanley, make a frantic phone call, declare repeatedly that shes caught in a trap, and try to run away. Once the rape is over, we enter Scene eleven without further suspense.DenouementScene ElevenWith the rape and the birth of Stella and Stanleys child over and done with, the plays final scene has falling action written all over it. Blanches descent into madness is complete, and were now tone at the aftermath to the destruction that took place at the earlier climax. certaintyStanley and Stella on the porch togetherStellas reaction to Blanches condition and story regarding her husband, and her decision to carry on her marriage in spite of it, seduce the plays conclusion. This is summed up nicely in the image of her academic term on the porch with her baby in her arms, accepting comfort from her husband after her babys just been carted off to an institution.DialogueScene 9 when I die, Im going to die on the Sea. demonstrate how after everything Blanche is accused of and put through, her fantasy is to be by the sea, washed clean and tranquil. Scene 9 die..hand in hand of some nice- tone ships doctor, a very young one.. Again, Blanche has always fantasized over young men, there are some(prenominal) references to Blanche and young men end-to-end the play.Scene 9 I dont want realism, I want magic. Magic. Throughout the play Blanche is the symbol of Fantasy. She dislikes the way things are in reality, and so lets herself live in her bear dreaming world. Scene 4 He acts like an animal, has an animals habits Eats like one, moves like one, talks like one Blanche like s to think of people in a more outworldy way. She tries to justify the way Stanley is by dictum hes just not human.Stage directionsScene 7 Contrapuntal staging irony with Blanches singing and Stanleys gossiping. it wouldnt be make believe, unless you believe in me Blanches fairy like songs , bringing her stomach to her dream world, wanting to escape from reality. The music of the Blue Piano. every now and then Blanche breaks through her fantasy world and into reality again, this is shget when the distressing piano plays. It is a memory of her dead husband, and the way that he died. From Blanches reaction towards the music playing, we can tell it is a memory she wishes to bequeath she sways and covers her face, the polka tune fades out. Her breath is drawn and released in long, satisfying sobs.Bibliography http//www.sparknotes.com/lit/streetcar/themes.html Blue piano, magicAO3 perspectives and viewpoints* Marxist viewpoint aspect at the play A Streetcar Named Desire, it can be analysed through a Marxist perspective, reading into how the mark vie end-to-end the play is prominent in establishing Blanches role. Blanche and Stella are from a swell off background, a plantation called belle reve. Stella has lived in New Orleans and has reposition well to the unfair male structure of the world she lives in, however the reach of Blanche attempts to undo this with her intellect. However, even Blanche herself unable to break free from the convention of creation second class citizen due to her status as a female, condescension being intellectually superior to the males.The class seek between Blanche and Stanley is a key focus point passim the play, with Blanche looking d have on Stanley, constantly referring to him as a polack, a derogatory term she uses to set her superiority amongst him. This however backfire massively as it causes huge tensions between Stanley and Blanche, ending once the rape of Blanche has been successfully attempted. This can sho w in Williams point of view how despite room for change, the American forties is not ready for equality and change, with the class perspective overruling equality.Ironically in the Marxist viewpoint, equality should be achieved by all in a socialist society A Streetcar Named Desire elaborates on how the estimations of class equality is nothing more than a pipedream which cannot be attempted nor achieved in the dense capitalist America the play is set in. It can be further extrapolated to assume that Williams play is one to show the bitter struggle between fantasy and reality, with Marxism being the fantasy which cannot be achieved.* Queer possibility viewpoint Links can be established with Williams own zippy perspective of his personal life, uses the play a streetcar named desire to show the oppression he himself faces through being a gay man in the American 1940s it was considered an illegal immoral activity, and so he could not openly state his personal life. Through using bla nche he portrays his own fractured psyche, linking his oppression as a homosexual to the oppression she faces in the misogynistic structure of America at that time.Whilst a time of change many things were still suppressed, with homosexuals and females being considered to be lower class than men, even males with a lower class background than the females. This can link well with how Blanche is treated during the play, despite coming from a higher class than the men of the play, she herself is supressed in her activities, and is considered mentally incapable and weak by the male characters as the play progresses.It can be inferred that Williams uses the female characters of the play to convey his own sense of inferiority during the American 1940s. Williams ideas of fantasy versus reality feature prominently though the queer perspective he clearly shows Blanches own broken mind, elaborating by the end how she sees lurid reflections appear on the walls in odd, sinuous shapes. This can b e seen as Blanches own struggle with fantasy versus reality, unable to distinguish the two.AO4 Other workThe themes of Streetcar are typical of Williams work. The idea of feeling trapped in a fantasy world, much like in The Glass Menagerie. The contrast in gender, woman feeling much more insecure about the reality of the outside work than the men of the plays was a common idea for many of Williams plays. The themes of fantasy in A Streetcar Named Desire are also similar to those of Summer and Smoke. The sexual and spiritual characteristics of Blanche are much like that of the character Alma in Summer and SmokeWilliams personal lifeWilliams sister was diagnosed with Schizophrenia and he remained close with her throughout his life. It can be inferred that this greatly influenced the ideas of mental illnesss being basis for fantastical elements inside his plays. In the late 1930s Williams accepted he was homosexual, this was a offensive activity during his period in which he lived in. this mean that Williams arguably included the idea of homosexuality in many of his plays as a way of escaping the troubles of his personal life. For example it is suggested that Blanches young lover who ended his life in A Streetcar Named Desire was homosexual. Historical backgroundThe American dream was a key idea in the US during the 1940s as it was soon after The Great Depression This dream is often mentioned throughout the play, the name of Blache and Stellas old house being Belle Reve translating to beautiful dream